Introducing Collage!

My friend Carrie Bloomston of SUCH Designs has just sent her first fabric collection, Collage (for Windham Fabrics), out into the world, and lucky me, I get to share it with you!

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I met Carrie at the Long Beach Quilt Festival in 2011. Her debut booth was a spark of bright and cheerful in an otherwise black-draped sea of business-as-usual. I was immediately drawn to her Wonky Little Houses pattern, and she and I ended up having a wonderful gab.

At the time, I was barely a year out of grad school, and still utterly exhausted and somewhat shell-shocked by the experience of surviving an MFA program. Carrie shared that she was still recovering from a demanding program at RISD, but that playing with fabric was moving her back into her old skin, and that painting was once again calling to her. We ended up bonding over being refugees from art school.

Fast forward to last year… Carrie and I ended up in adjacent booths at Long Beach 2012. It was my first big show as Hunter’s Design Studio, and we again shared a bunch of important conversations about navigating this crazy quilt world. She left me with a story about the danger of wearing layers of other people’s coats (as in allowing yourself to be weighed down with other people’s ideas of how your business should be run) and truly, it was just the conversation I needed to hear that day! So that’s the story of how we met – like many quilting stories… two women find a common thread, and as we pass it back and forth, we weave a friendship. I can’t think of a better way to make new friends.

Anyhow – back to the important task at hand… introducing the fabric! Collage is sweet evidence that Carrie made it back to her paints, and obviously had some fun. Carrie sent fabric to all her blog tour folks, and asked us to just make something from it. If you’ve been following the tour, you’ll see that we all found something in the line that spoke to our own way of seeing the world, and some great projects have ensued.

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For me, the fabrics have a sense of wonder, play and delight – all things I know that Carrie (and I) have worked hard to regain after formal education. Being a Word Girl, I love the text fabrics the best, and adore the many encouraging sayings that Carrie purposely built into them.

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I really enjoy using spots and stripes in things, and Collage offers a bunch of both. The border Birdie print is spectacular, and really usable. The “solids” have subtle tone variations and lines that create depth beyond a flat, monochromatic field. There really isn’t a piece in the group that can’t stand on its own, or play well with others.

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I chose to make one of my latest patterns with the fabric, a chunky little messenger-style bag (the pattern is making its debut here!). While the text fabrics called to me the most, I thought the Birdies made for a better lead role on the flap, with the teal cups and scrappy newspaper stripes as wonderful supporting players. Because I couldn’t find a comfortable way to put ORANGE on the bag, I instead used the deep orange-red scrappy stripes to whip up a little tissue holder to go with it. I had to get my ORANGE in there somehow!

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The lovely folks at Windham Fabrics have offered each blog host a layer-cake pack of all the Collage fabrics as a giveaway! So leave me (and Carrie!) a comment below to enter in the drawing for the layer cake, and I’ll use the random number site to choose a winner. I’ll leave the comments on for a couple of days (let’s say the end of my Tuesday), but don’t wait too long to throw your hat in the ring!

And in case you’ve missed them, here’s the blog tour roster – stop in and see all the things Collage can do:

April 9 – Julie Goldin 
April 11 – April Rhodes
April 12 – Tia Curtis
April 14 – Ramona Burke
April 15 – Sally Keller
April 16 – Angela Walters
April 19 – Jenny Kelly

April 22 –Karen Le Page (One Girl Circus)

Review: Modern Quilts Illustrated

Modern Quilts Illustrated is a new magazine from Weeks Ringle and Bill Kerr, owners of the Modern Quilt Studio, and the dynamic duo of the modern quilt movement. It is available from them in single copies of $15 (correction) $14 which includes mailing, or in a subscription of three issues a year for $30.

Thus far, I’ve received two issues, and they are really a feast for the eyes. “Illustrated” in the title is no teaser here: the issues are full of wonderful drawings and photos that illustrate every aspect that the accompanying words describe. Both issues have three quilt patterns apiece (two pieced and one appliqued), a welcome letter that frames the concept for the issue, a Cutting Table section of info and tip snippets, a delightful travel-themed color palette discussion, and a last page that thoughtfully answers a reader’s question in some depth. Also – no advertising. The writing style is refreshingly devoid of the excess of exclamation marks that would indicate a lightweight product – instead, it is sophisticated and accessible, delivering a lot of information without being overwhelming. It’s very much like having a private lesson from a pair of pretty cool teachers.

It is obvious from the writing that Weeks and Bill really care about teaching. Each pattern starts with a discussion of the design and how to approach it in more than one color idea, which from my teaching experience is the anxiety point for many, many quilters, especially our up-and-comers. The quilt is shown made in one color way (available as a kit too) and then illustrated in three more. The cutting and construction techniques are clearly described AND illustrated, with the obvious understanding that both methods will speak to most learning styles. While I’m a fan of the gorgeous lifestyle photography, I find that the now ubiquitous “quilt on a chair” shot leaves me frustrated at not being able to see enough of the fabric in action (and this is my only grumble, and small one at that). The additional illustrations take care of helping me see the overall design, but I find myself wishing for a full frontal of the quilt, even if it is done as a small inset. (Update – my desired full frontal is in the table of contents!)

And so to the designs – they are sweet, clear and modern. They can look good in simple solids, or take advantage of the large scale prints that are beginning to fill our quilt shops. Best of all, they are presented in combinations from different fabric lines, which in my opinion ups the visual interest and complexity. Yes, lines are designed to work well with each other, but sometimes using just the line can leave things looking a little too “done”in a Martha-matchy-matchy kind of way.

At this point I have to confess that I’m a design and font junkie. Had I known I could have been a font designer in my teens I would have gone there in a heartbeat and never looked back – but I didn’t know and so have had different adventures instead, and incidentally, many of them font related! And so, I must gush a little more about the design here. Bad design sticks out like a sore thumb, but good design doesn’t always shout. It just works. It delivers its content in a way that eliminates frustrated leapfrogging about the page. It visualizes its words. It adds personality to its content, and strengthens its concept – without getting in the way. Good design is no small feat when there is a lot of information to deliver in a prescribed area of space. And the design of these mags is GOOD.

And lastly, a few words about value. With three or four patterns each in them, these magazines are a good deal. Even at the single issue price, it means each pattern is $5, a veritable bargain in a field of patterns that are beginning to head north of $10. There is no advertising at all which is refreshing as I’m sure, like me, you are getting your RDA of it (and then some) elsewhere. It is printed on a lovely heavy stock that makes it a keeper, not to mention resilient to being handled at your cutting table. Is it one of those pattern mags that delivers 40 patterns for $15? Not even close, but I’m sure you’ve figured out by now that most of those patterns are pretty unsophisticated… the pictures are pretty but you end up having to rewrite the dang things to make anything of decent quality. No, Modern Quilts Illustrated is something far above and beyond. And well worth your investment.