Odds and Ends and Bits and Bob(bin)s

A few quick updates about stuff!

1. My book, Quilt Talk, is now in my store for pre-order, and at a special price too for a bit. I stocked up on ORANGE Sharpies just so that I can autograph one for you or for whomever you might buy one for. I also have an option for the book bundled with my favorite paper-picing paper (seriously… the stuff is like crack – you’ll never use copier paper again unless you’re desperate). AND I made autographed bookplates for those of you who are buying Quilt Talk from your local book or quilt store!

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2. Quilt! Knit! Stitch! is this weekend! Come out and say hi! Here’s where/when to find me:

  • Thursday 4-6pm: Open Studios, main floor – paper piecing demo
  • Friday 3pm: Lecture – We Are $ew Worth It
  • Saturday 9am-12noon: Learn to Paper-Piece (class still has seats!)
  • Saturday 2-5pm: No Fear Thread Painting (class is full)

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3. Megan Dougherty, The Bitchy Stitcher, is visiting me for Quilt! Knit! Stitch! and will be helping in the classroom. Come meet her! AND… it’s her BIRTHDAY today. You can leave her a happy message here.

4. I’ve been working on making special buckets from the Oh Scrap! Buckets pattern in Quilt Talk. I’m getting down to the final steps. These guys will be helping out on the blog tour for the book, so keep your eyes peeled for that. We have some fun stuff in store for you!

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That’s all for now… must get back to prepping stuff for this weekend!

BTW – Did you join my mailing list yet? Do it here. I’m dreaming up groovy exclusive stuff for you!

 

Square Pegs for Hoffman – plus a fabric giveaway!

If you didn’t already know, I frequently sew for Hoffman Fabrics: they send me pix of their new stuff; I choose a couple of colorways and offer pattern choices; we shake hands on an idea; they send fabric; and I start sewing.*

New collections are ready to debut, so they reached out for a quilt. This time, we chose one of my newest patterns, Square Pegs:

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While the cover quilt leans more “modern” with its clean colors, I’ve been interested in seeing it rendered in batik. There’s been much discussion of late in as to whether batiks can play well in the modern quilt arena (I contributed to an article in the latest Gen Q mag about it). My answer to the question is YES, of course batiks can be “modern.” I think how you categorize a quilt is as just as much a function of the pattern design as it is the fabric choice, and as long as you play by good fabric choice rules (mind your values… watch out for too much medium tone mush), batiks are a fabulous choice.

Hoff + Mod

Batiks are also a fit for our current hand-made vibe – they are still hand printed, even at the volumes the quilt world consumes. And if you need more eco-assurance, Hoffman has some lovely environmentally careful practices around the water used to make their pretty fabrics.

Anyway, back to that quilt. Like last time, I posted Instagram pix (@huntersds) in real time, and shot them out to the HDS FB page (please go like it! thank you!), answering questions along the way. And feel free to ask more questions over there or in the comments below.

So – fabric choices! The pattern needs 12 quarters (fat or long, or a mixture) and a chunk of background. As you know, I usually lean ORANGE, but this time I was intrigued by the elegance of these cooler colors:

Hoffman for Sq Pegs

They are much prettier than they look in the long shots on Instagram! The background is not pure white, it’s a subtle, very light, mottled blue-gray – it’s part of the Watercolor series (Snow 1895-307) which are the solid-reading batiks. The light gray at top right became the binding. And look at the bold graphic designs in the prints!

For the curious, it took approximately 22 hours over the course of 3 days. Yes, I’m pretty speedy (#sewingatthespeedofsam was coined by my friend, Z-Girl) BUT – truly, this is a speedy quilt to make. It’s all straight seams and easy construction, with lots of negative space for you to quilt-doodle through. Yes, I sew fast, but the pattern choice didn’t hurt!

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For an even faster finish, you could skip the pieced border if you like, or sew these parts together as “leaders and enders” as suggested by one of my Stunt Peeps** if you sew that way. I also copied the quilting I had done on the earlier one, which meant I didn’t spend design time testing different quilting ideas. It’s easy straight lines following the lines of the blocks, and simple stippling in alternating spaces for extra texture.

On the first day I made the blocks and the border; on the second I set it into a quilt top, made the back (ran errands, had the car break down, got towed), and basted it; and on the third, I quilted and bound it (catching up on Mad Men) – and in a rare moment of having it all together, got the sleeve and label into the binding process rather than putting them on, cussing, as an afterthought! If making it for a client, I would bid 28 hours of time to allow for more unique designing if needed, and possibly surprise them with a discount if I beat my time.

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And so to giving away fabric! I have 2 bundles…

Bundle 1: A Square Pegs pattern plus 14 almost Fat Quarters – I cut a couple of the fabrics wrong, so they’re a tad short (wasn’t wearing my glasses… sigh) so you get the 12 you need for the pattern and a couple extra because I’m a goof (and the pattern doesn’t use the entire FQ so you’ll have plenty if you want to use them for this).

Bundle 1

Bundle 2: A Square Pegs pattern plus all my big scraps – most of which are 1/4 yard or more. You’ll have enough to do the non-background parts of the top, but might need to be creative with how you cut. And I might put in some ORANGE just because.

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Comment below to win – and tell me what you think of batiks as potential modern fabrics. And yes, you’re welcome to disagree with me – I love the discussion! I’ll choose winners on Friday. And yes, this is open to international folks too.

BTW – Did you join my mailing list yet? Do it here. I’m dreaming up groovy exclusive stuff for you!

* I disclose my arrangement with Hoffman Fabrics out of a desire to be transparent in the name of my commitment to the We Are $ew Worth It movement. That said, I love working with Hoffman, and like and respect their people – and wouldn’t play with them if I didn’t! I only do what works for me with people I like :-)

**Square Pegs was test driven by Stunt Sewist Peeps Karyn, Jennifer, Karen and Julie!

WASWI: Quilters Newsletter Magazine talks about Value

The conversation about what are quilts are worth has reached one of the big guns, Quilters Newsletter Magazine! The Aug/Sept 2014 issue includes a very sharp article titled “What’s Your Quilt Worth?” It begins on page 38.

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Gigi Khalsa interviewed several industry professionals, including yours truly, and put together a well informed article stuffed with facts, opinions, and “behind the green curtain” advice.

  • Nancy Henry talks about the business arc of her Etsy shop, nhquiltarts.
  • Samantha Harvey of Sami’s Quilts and Crafts discusses the formulae she uses rigorously to price quilts. “Quilters who undercharge make it harder for anyone to get a fair price.” Woman after my own heart!
  • Katie Ringo of Katie’s Quilting Corner gives strong commission advice. She also says “Educate your buying public.” Right on.
  • Patricia L. Cummings of Quilter’s Muse Publications reminds us that the price of a quilt should include the wear and tear on our tools and machines, and the power to run them.
  • Caryl Bryer Fallert-Gentry discusses the price-per-square foot formula she uses (similar to a lot of fine art painters). She also talks about correct pricing when a gallery carries your work. Never undercut your gallery!
  • LUKE Haynes also uses a pricing formula, but he talks about his long toil in the trenches to build a body of work at prices that cover a living wage.
  • Carol Ann Waugh of aBuzz Gallery discusses the difficult job of competing with cheaply made imports.
  • And I talk, as always, about my belief that if we all work on this together, we will all benefit from it.

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That’s me, in the opening paragraph! I’m the closer too!

From the core of my being, I believe that We Are $ew Worth It. And I hope you’ll join me in that.

BTW – Did you join my mailing list yet? Do it here. I’m dreaming up groovy exclusive stuff for you!

 

Quilt! Knit! Stitch! Come see me there!

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Portland (Oregon) is hosting Quilt! Knit! Stitch! here August 14-16 at the Convention Center. This is a new type of show, catching all the needle skills in one place, and I think it will be a feast of new ideas!

I’m thrilled to be on the faculty, teaching two different classes – check them out and hurry over to the enrollment link (look for Online Enrollment in the middle of the page) if you’re interested in coming to play with me. Online enrollment ends in a couple weeks so don’t dally. I will be there EVERY DAY teaching, demo-ing or lecturing:

#304 – Learn to Paper Piece. Saturday August 16th, 9am to Noon.

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Learn to paper-piece while making the top of this LOVEly wall hanging (15” x 17”). The provided kit includes patterns on three different types of paper for you to test, pre-cut fabric for easy piecing, and clear written instructions for putting the top together. Baby Lock is providing machines for this class so you just need to show up with some cutting tools. BONUS: Megan Dougherty, The Bitchy Stitcher is my class minion helper for this session, so come meet her too!

#311 – No Fear Thread Painting. Saturday August 16th, 2pm to 5pm.

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Learn to thread paint (by machine) over a drawing using the basic art principles of shading and value. No drawing skills needed – truly! Baby Lock is supplying the machines for this session also. I’m bringing the drawings and stabilizers for you to play with, and all you need to bring are basic sewing supplies and a handful of threads. Megan says she wants to come help out in this class too! Lucky me and you!

We Are $ew Worth It – Lecture. Friday 3pm.

HDS Sew Worth It LOGO

I’ll be delivering the live talkie version of We Are $ew Worth It. I tell stories, make a fool of myself, and open the floor up for Q&A at the end. It’s fun stuff, not to mention important information… you should be there!

Open Studios – Paper-Piecing Demonstration. Thursday 4pm to 6pm.

PP Letters Orange

I’ll be in the Open Studios area, showing you how to paper-piece big things and little things, and featuring the letters from my upcoming book, Quilt Talk. If you can’t make it to a class, stop by and get some free tutelage. Or just stop in to say hello and show me the spoils of your shopping adventures!

I hope to see you there!

Questions? Leave them in the comments below.

BTW – Did you join my mailing list yet? Do it here. I’m dreaming up groovy exclusive stuff for you!

When are you “an artist”?

Can I just say it thrills me to no end to see that the We Are $ew Worth It posts continue to be sent all around the world? Thank you! I really think we can change this game….

Fireworks, by my sweet son, from a long time ago.

Fireworks, by my sweet son, from a long time ago.

Yesterday, Kay B left a comment on a WASWI post, and asked this: “My question is when do you consider yourself an “artist”? If you develop your own pattern? When you properly following someone else’s pattern? How about hand quilted vs. long arm quilted? I have seen many things listed for sale online that are lower quality that are charging more than for more quality crafted items that it is no wonder the general public is afraid to pay the asking price for hand crafted items. How does an appraiser determine a value?”

Before I tackle the big one about considering one’s self an artist, I’ll answer the easier one about appraisals.

Certified Quilt Appraisers have been rigorously trained through programs such as this one in the US run by AQS, the American Quilter’s Society. (Note that this is good place to look if you need to hire an appraiser, too.) Armed with that training, an appraiser can determine where a quilt fits in the current canon of knowledge, and value them accordingly. What factors matter? Many factors, including craftsmanship, ubiquity/rarity, geography/history, and the renown of the maker. For instance, I had a few quilts appraised some years ago, then shortly after, was published in some magazines and earned a ribbon at a national show. My appraiser informed me that the publishings and the ribbon both added to my value, and that my appraisals would now be higher because of them. Thus it follows that the quilts made by the acknowledged masters and superstars of our industry will appraise higher than the version of them that less famous people might make. Sort of like a doodle by Picasso is worth more than the one done by the sweetest toddler in your family (even if you can’t really tell the difference). And yes – it doesn’t really account for the emotional attachment you have for the toddler’s work!

So with this in mind, when do you get to say you’re an artist? My opinion is this:

You get to say you’re an artist the first time you pick up a pencil, or crayon, or needle, or hammer, or lump of dirt and try to make something out of it. WAIT, I hear you say…. that misshapen lump of clay that came home from 2nd grade that was supposed to be a pumpkin is not ART. No, it might not be. There is a rather extensive establishment that loves to wrangle with the question of “Is it ART?” and they like to be the keepers of that conversation, so I’m going to just let them wrangle it. And I’m guessing they will say no, the “pumpkin” is not art, unless of course Picasso made it… and… and… you get my drift.

Wile E Coyote and Road Runner. Lines by Chuck Jones, colors by my sweet son.

Wile E Coyote and Road Runner. Lines by Chuck Jones, colors by my sweet son.

I’m talking about YOU. In my mind, if you are a MAKER, you are an ARTIST. The intention to make with your hands is an ARTISTIC intention, regardless of what you then make. I know that for some it’s a huge struggle to claim the title because I struggled too. I’ve never been that great at drawing, and so when I drew misshapen things as a child I was told I was no good at art. But I’ve since decided that my elementary school teacher didn’t really have the authority to tell me what I am. I successfully earned an AA in art by working hard at learning to draw (I had an excellent teacher, but I’m still middling at it). I got my BA in Sculpture because constructing stuff makes more sense to me. I got my MFA in Fiber because by then I had figured out that playing with fiber is my superpower. And I still hate to draw. And that just no longer matters.

I don’t think you need to be making original patterns to call yourself an artist. I don’t think it matters if you quilt by hand, machine or check (but I do think you have to acknowledge the long arm artist when you hire one). I think you just need to MAKE. Make what interests you, make for profit, make for love, but just MAKE.

As for the pricing differences one sees online? Those appraisal factors are in play, but so are the factors of what the market will bear and the self confidence of the maker. An honest pricing calculates the time and materials and takes into account the artist’s skill. Some people don’t charge enough to cover that. Others do. The wide range in price vs. quality in the handcrafted world is no different than in other industries… for instance there are well made good-value cars and expensive rattletraps out there. That’s the joy of a free market. As a buyer, you get to decide what to exchange your moola for.

But back to the ARTIST conversation before I leave you. You’ll see me talking about “your studio” and some of you might think “right… that would be my dining room table.” I refer to you and your making this way because, to me, you ARE an artist. The space doesn’t matter. The size of the machine doesn’t matter. The fact that you might do it with kiddos underfoot or cats in your lap doesn’t matter. There isn’t a magic door you have to go through to be an artist. You just have to MAKE.

So let’s go do some of that! MAKE, MAKE, MAKE…

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We Are $ew Worth It Resources: Press Kits

One of my goals with the We Are $ew Worth It (#WASWI) movement is to create a useful catalog of resources and templates that help us navigate our industry.

HDS Sew Worth It RESOURCES

For me, one of the best things about quilting has always been the tradition of women helping women. And this isn’t a more recent feminist idea (although who doesn’t love feminism?), it has always been there in the fabric arts. One might think the neighborhood ladies gathered around the frame to get the bride’s quilt stitched, but you just know that they were also sharing the wisdom necessary to conduct life… how to make a great pie crust, how to get a stain out of something, how to navigate a grumpy hubby or calm a colicky baby. We still do this today in mini-groups and online communities – the frame might be different but the need to share wisdom hasn’t changed.

So to the tribe of quilters, sewists and fiber artists – please join me here around this virtual quilt frame to both offer your wisdom, and to benefit from the knowledge sharing here! I know I don’t have all the answers, but with your help I know I can build a useful cache of important docs for us all.

Thus today I’d like to tackle Press Kits. I was asked for a press kit yesterday for the first time so I’m hustling. So far, this is the best link I’ve found, but obviously what I need to do here is build the one that matters to both the industry I work in, AND the industry I’m offering it to.

Based on that article this is what I think it needs to have:

  • Information about my company
  • Information about the products I offer
  • Information about the specific product I’m pitching to the people that asked for it (in this case the new book, as it was a book store asking as part of a book signing gig*)
  • Information about me – a little bio, and info on where I do my thing (teaching and speaking stuff)
  • Recent publications and articles
  • Links on where to find me: email, website, Facebook, Instagram, etc
  • Images of me, my logo, my book (or products)
  • A review of the book or product

Some of the things I’m not including right now, but might consider in the future:

  • Financial information – I’m not asking for investments so no need to divulge it
  • Video or audio links – mostly because I don’t have them yet. If I had something that shows me speaking well I would include it so the book store could see that I won’t be an awkward mess. If I was pitching this at a distributor I might not show me speaking, but show me teaching the product I’m pitching to them so they know I’m doing my part to sell it, too.
  • Press releases – I don’t have any, and for this particular gig the arrangements have already been made. If it was a cold send, I imagine this would be the leading document. I’m thinking I might need to write one though.
  • Social media stats. I used to look longingly at the “Likes” on other people’s pages, but with Facebook’s recent underhanded throttling of anyone’s reach, I’m not so sure this is the best basket to collect eggs in. Don’t get me wrong… I’d love to have more “Likes” just so that I can potentially talk to more people (and if you’re reading this because you picked it up on someone’s feed, then PLEASE LIKE ME!) BUT… Seth Godin, the smartest guy in the online media business, recently wrote this, and it has me thinking that the race for numbers isn’t really the best metric by which to measure success (and this is probably a discussion for another time!)

YOUR TURN

  • What do you think a press kit should have?
  • What do you think doesn’t matter?
  • Do you have links to good ones to share?
  • Industry Peeps who have already figured this out – do you mind sharing?
  • Industry Suppliers – what info do you want us to present to you?
  • What more could this WASWI Resource include to be of use to you?

* I’m signing Quilt Talk at the holy grail of independent booksellers, Powell’s City of Books in downtown Portland. Come see me on Saturday, October 11th at 4pm!

BTW – Did you join my mailing list yet? Do it here. I’m dreaming up groovy exclusive stuff for you!

 

 

Embroidery as Animation

Animation is probably the first way we experience visual stories in movement. Saturday morning cartoons were definitely mine, and mostly the pioneering fast frame (limited animation) stuff of the Hanna-Barbera team. Top Cat and the Wacky Races were my faves from the sixties, while the Ninja Turtles and Transformers ruled my son’s early years.

Image credit superbwallpapers.com

Image credit superbwallpapers.com

I even borrowed a phrase from Dick Dastardly’s dog Muttley for my upcoming book Quilt Talk! (psst… a hint… it doesn’t involve words!)

Despite beginning to sew at about the same age I was watching these cartoons, I never imagined that sewing and cartoons could be integrated. But that’s out the window now, because of this:

 

The artist, Nicos Livesey, created the drawings for animation, then digitized them for embroidery for a music video. I can’t say the music is my bag, but I’m in awe of the rendering of the concept. Stunning stuff. And a whole new way to show off mad needle skillz to the masses. Sewing machines are indeed power tools!

H/T to Kathy Loomis at Art With a Needle for the link.

BTW – Did you join my mailing list yet? Do it here. I’m dreaming up groovy exclusive stuff for you!

 

Free Pattern – Paper Pieced Patriotic Heart

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I have another free pattern and project up on Janome’s site! Find it here.

Years ago, one of the positions I held on the Simi Valley Quilt Guild’s board was that of the Block of the Month coordinator. If you’ve never done one of these, it’s where the pattern for the month is published, and members who are interested each make one. Each block entered becomes a chance to win them all.

Anyway, I challenged myself that year to design paper-pieced blocks, and this was one of them. I recently unearthed it when my friend Annie asked if I still had it. Yep, I did. I’m really not much of a pack rat, but I do keep most of my art and drawings, and in a relatively (!) organized manner, so out it popped from the archives.

Original pp heart

1995! Almost 20 years ago! And when I was married to someone whose name isn’t Hunter! How time flies! And speaking of time… it’s my son’s 30th birthday today – how the heck did that happen?!?! Well, I know technically how that works, but… THIRTY! EGAD! (and I think I’ve used up my allotment of !! for today so I’ll calm down now)

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The new version finishes at 7 1/2”, and is drawn tidily with Adobe Illustrator. I’ve also added a few things that I’ve developed over the years (and for my upcoming book, Quilt Talk) like the “lead lines” for starting oddly angled seams. I also don’t draw the seam allowance around the blocks so that you can size them any way you like – but I do write “add 1/4” seam allowance” on every edge so that you don’t cut the edges off. I’ll leave you to guess how many blocks I’ve ruined doing that.

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The Janome project gives you the instructions to make a pillow, but you can also just take the block and run with it. If you do, shoot me some pix – I’d love to see what you’re up to!

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New Sassy Buttons!

The last minute prep for Spring Quilt Market is under way… the suitcases are out, the new pattern samples are with the distributors (I’ll give you a peek next week), and I have one load of laundry left to go.

One of the things I always take to market are Sassy Buttons… usually a bag of the latest and favorites, along with a bag of brand new ones, hot off the presses, to share and test. But it hardly seems fair to exclude you, dear readers, from the newest sass! So here they are:

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If you’re interested in winning a set, leave a comment telling me which one you would give to a specific friend and why – I’ll draw after I get back from Market next week. YES, if you’re outside of the USA, you can play too :-)

As for Market – keep an eye on Facebook and Instagram ( @ huntersds ) – I’ll be posting pix there for you too. If there’s something specific you want me to look for, please mention it on FB and I’ll do what I can to track down a picture for you.

BTW – Did you join my mailing list yet? Do it here. I’m dreaming up groovy exclusive stuff for you!