Free Pattern – Paper Pieced Patriotic Heart

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I have another free pattern and project up on Janome’s site! Find it here.

Years ago, one of the positions I held on the Simi Valley Quilt Guild’s board was that of the Block of the Month coordinator. If you’ve never done one of these, it’s where the pattern for the month is published, and members who are interested each make one. Each block entered becomes a chance to win them all.

Anyway, I challenged myself that year to design paper-pieced blocks, and this was one of them. I recently unearthed it when my friend Annie asked if I still had it. Yep, I did. I’m really not much of a pack rat, but I do keep most of my art and drawings, and in a relatively (!) organized manner, so out it popped from the archives.

Original pp heart

1995! Almost 20 years ago! And when I was married to someone whose name isn’t Hunter! How time flies! And speaking of time… it’s my son’s 30th birthday today – how the heck did that happen?!?! Well, I know technically how that works, but… THIRTY! EGAD! (and I think I’ve used up my allotment of !! for today so I’ll calm down now)

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The new version finishes at 7 1/2”, and is drawn tidily with Adobe Illustrator. I’ve also added a few things that I’ve developed over the years (and for my upcoming book, Quilt Talk) like the “lead lines” for starting oddly angled seams. I also don’t draw the seam allowance around the blocks so that you can size them any way you like – but I do write “add 1/4” seam allowance” on every edge so that you don’t cut the edges off. I’ll leave you to guess how many blocks I’ve ruined doing that.

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The Janome project gives you the instructions to make a pillow, but you can also just take the block and run with it. If you do, shoot me some pix – I’d love to see what you’re up to!

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New Pattern – Star Stuff!

Another new pattern!

StarStuff - Cover 300dpiAnd so named for Carl Sagan’s statement that “we are star stuff,” made of the hydrogen atoms that are the stuff of life. I like the idea that we all have a bit of sparkle within us.

It’s a paper-piecing pattern – four identical quadrants make up one 15” finished star. I give pre-cutting instructions for paper-piecing, which minimizes fabric waste, and makes construction a little more efficient. If you can paper-piece and sew a decent 1/4” seam, you got this!

The pattern includes instructions for 6 quilt sizes from crib to king. You could bust some stash with it, or play with radiant colors like I did on the cover quilt.* I used leftovers to make the scrappy binding. The pattern also includes a  copy-able sketch sheet that you can fill with color for design purposes.

Color in Star pattern

It’s available in the shop here (will ship by the end of the week) or as PDF here immediately. It’s also carried by major distributors, so ask for it at your local quilt store.

Enjoy!

* Disclosure: this quilt is made with Kaufman Kona Solids, mostly purchased by me, and the rest generously supplied by Robert Kaufman Fabrics. The blocks were constructed by my lovely stunt sewists Abby, Jennifer, Julia, Julie and Julie!

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New Pattern! It’s blue! It’s bigger on the inside! It’s a TARDIS!

Ever since I made the Dalek pattern (Who’s the Bad Guy?) people have been asking “Where’s the TARDIS?” Well, ask no more!

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This is one of the new patterns I introduced for Quilt Market last week! (psst… there are others… watch this space)

It’s 50” x 80”, the same size as the Dalek, and big enough to snuggle or top a twin bed. The skill level is easy too – it’s all straight lines, with a few snowballed triangles and no applique unless you feel the need to just do some because you think it’s fun (and I do believe they have meds for that if it’s becoming a problem for you…)

I designed a companion Spoonflower fat quarter for all of the text parts, and I’m tickled with how that came out. If you don’t want to Spoonflower, there are full sized patterns for tracing out the wordy bits and doing them any way that takes your fancy. The pattern also offers color codes for three different colorways of Kaufman fabrics – one done in the Quilter’s Linen, and two in Kona solids – one bright, and one a bit darker and moodier.*

I really had a blast with this one… my son helped with the design, and stunt-sewists (and rabid Who fans) Flaun and Kimberly hammered the pattern into shape for you.

PDF copies are available now here, and hard copies here (but FYI those aren’t shipping until June 4th).

BTW – Did you join my mailing list yet? Do it here. I’m dreaming up groovy exclusive stuff for you!

* Disclosure: The kind people at Robert Kaufman Fabrics supplied the fabric for the cover quilt.

 

New Sassy Buttons!

The last minute prep for Spring Quilt Market is under way… the suitcases are out, the new pattern samples are with the distributors (I’ll give you a peek next week), and I have one load of laundry left to go.

One of the things I always take to market are Sassy Buttons… usually a bag of the latest and favorites, along with a bag of brand new ones, hot off the presses, to share and test. But it hardly seems fair to exclude you, dear readers, from the newest sass! So here they are:

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If you’re interested in winning a set, leave a comment telling me which one you would give to a specific friend and why – I’ll draw after I get back from Market next week. YES, if you’re outside of the USA, you can play too :-)

As for Market – keep an eye on Facebook and Instagram ( @ huntersds ) – I’ll be posting pix there for you too. If there’s something specific you want me to look for, please mention it on FB and I’ll do what I can to track down a picture for you.

BTW – Did you join my mailing list yet? Do it here. I’m dreaming up groovy exclusive stuff for you!

 

 

Finishing Birch Bark

The games continued yesterday, and as promised, here are more detailed shots and more process information as I finished the Birch Bark quilt for Hoffman Fabrics. As always – if you have any questions, leave them in the comments and I’ll answer as best I can!

The first job of the day was to make the backing. I had yardage for this, so no pieced backing needed. One seam did the trick. BTW, if you don’t have the Creative Grids yardstick ruler, you NEED one. I can’t believe how much I use it.

IMG_4967It’s still important to take off the selvedges on the seams for a back. You’ll notice that they are often tighter than the rest of the fabric, so if still in the seam they can lead to puckers on the back. Also, and again especially with batiks with their denser weave, the thicker edge can make you break a needle. I used a 1/4 inch seam and pressed it to one side. Had I been sending it to a long arm artist, I would have used a 1/2 inch seam for extra insurance, and pressed it open to reduce density (or asked for the artist’s preferences).

I use spray baste, specifically 505. I think it is the least smelly of the bunch, and holds well for a long time (seriously, I’ve had stuff spray basted in the bottom of the closet for a couple of years and didn’t need to re-do it when the time came to quilt it). When I started using spray, I didn’t get shown how by the people that “knew” so I daresay my method could be considered wrong. But it works well for me with the studio tools I have available so let me see if I can explain it well in pix (one of these days I swear I will attempt video).

First I clip the back down to my table. It’s one of those old, heavy, particle board affairs and it’s perfect for the job. Just like when you pin baste, it’s important to have a smooth tension on it, but don’t stretch the back or you WILL get wrinkles. I work from top to bottom on the quilt, not from the center. The TOP is on the left for reference.

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Then I lay the batting and top onto it. BTW – see the fan in the background – you need to have some type of fan pulling the air out of your space when you do this… I also cover all the important stuff with old sheets because it will all get sticky otherwise!

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I fold them both back, and spray the backing fabric (imagine video of me spraying here)

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Then I smooth the batting down, and spray the batting. I start at the center and move towards the edges. But don’t stretch!

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Then smooth the top down the same way.

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At this point, it’s glued from the top to the edge of the table. I unclip everything, move it towards the top so that all but about 4 inches of the the glued stuff is hanging off the top edge of the table.

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Then I re-clip the top edge (that’s glued) on the outside of the sandwich, and re-clip the backing only at the bottom edge.

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Now, we’re doing the same thing, but working from the other side of the table. Spray the backing and smooth down the batting.

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Then spray the batting, and smooth down the top. And move it again. Once you get to the bottom of the quilt, only move it as much as needed to get the bottom of the quilt onto the table. This stops you from overspraying batting and backing that might go back into your stash.

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Once all the spraying is done, unclip everything and give it a trim. I trim about an inch away.

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And done. A quick flip to the back to see if there are any wrinkles that need attending to…

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Looks good. And now onto quilting! I put this one back on the design wall to contemplate it. My first thought was to do a spiral, but that involves a lot of turning on the quilt, and remember, this one needed to get finished quickly. So I decided to go with a straight line pattern – fast and easy to do with a walking foot. This design was inspired by something my friend Flaun did recently on a commission. I set the lines on diagonal so as not to run into issues keeping them parallel to the seams in the top.

Another reason for choosing this design is that every line starts and stops OFF the edges. This also reduces the time spent pulling up threads or burying them later.

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I needed to find the right starting point for the center, and the “rule of thirds” worked well here… things that are off center in such a way that they align with thirds are usually pleasing to the eye. Here’s the third in both directions marked with a square of batting so you can see it:

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I chalked out the initial X of the design while it was on the wall so that I could see the angles.

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BTW – I used a Chaco Liner in white for this. I find the white comes off dark fabric easily, although sometimes it can be faint. I wanted a fine line to follow, and this does fine lines beautifully. I will also say that I use their other colors with reservation… sometimes they don’t come out too well. In their defense, Clover states in a blog post I dug up that they were designed for marking dress seams and darts that would be hidden, so it coming out quilts wasn’t part of the product design.

I chalked out one quadrant – one of the smaller ones to start with.

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And now to thread choices! I have a lot of Robison Anton rayon threads in my studio. I bought them before I discovered the likes of Aurifil (my #1 piecing thread) and Isacord (which I like to quilt with too), so I still use them. No sense in waste! I have quilting friends that don’t like to use rayon for “utility” quilts – those that will get used and washed a lot – as they might be too delicate and break under wear and tension. Most of my quilts are designed for photographing on pattern covers, and then carted around for trunk shows. So while I would never use nasty cheap thread, the RA is fine for how I use my quilts. I do have some utility quilts that have RA quilting that is holding up just fine – so as always – your mileage may vary!

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I ended up choosing an ORANGE. Surprise! I also want to show you these – they are Steady Betty Bands. They wrap around the palm of your hand to give you traction while quilting. I quilt with my palms, not my finger tips, so most of the gloves don’t work well for me. I also like that I can re-thread the machine or handle scissors with them on. They could be a prettier color though!

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And on to quilting! I marked one quadrant and quilted it before marking the next so as not to rub off all my chalk lines. For reference, it took 2 bobbins worth of thread to complete. The quilting unfortunately doesn’t show up well on this picture – often times the quilting on batiks gets lost in the fabric patterns.

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And onto the binding. Again, I put the quilt back on the wall while I worked out the binding choices. I had two ORANGE fabrics to work with, and liked the darker one better.

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I like to make bias binding when I can. I don’t find it any harder to cut and sew, and I like how it settles in on the edge.

How to calculate? Perimeter +20 (for goof-ups) times 2 1/2′ (width of binding), then divided by 40 (the width of the fabric), then rounded up to the next whole number, plus one (for goof-ups). In this case that was 18” x WOF. And I had about 30” left over so pretty dang perfect!

I lay it out on the mat, and make the first 45 degree cut at one corner.

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Then cut the rest of the fabric in 2 1/2” strips.

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And finally, take that first triangle that was left behind and cut it too. I leave behind the last corner triangles – usually anything under 8” (that’s why the +20 and round-up in my calculations)

Sew them end to end. Mind your right sides and wrong sides with batiks!

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Press those seams open, and the press the whole thing wrong sides together.

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And here’s the last edge getting sewn down. I join my edges with a bias seam, but that’s a game for a different post!

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Last step – I press the binding out so that when I do the hand work it folds over better.

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And DONE. This step, from making the back to ironing the binding was about 5 hours, sewing at the Speed of Sam!

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I sew the back of the binding down by hand because I like how it looks. This one took me the length of the Avengers movie on Netflix and a healthy dose of chocolate!

Total time for the entire project is right around 12 hours – but I was seriously hustling. If I was bidding it as a custom job for someone I would estimate 15 hours for safety, and surprise them with a little discount if I finished faster.

Questions? Do ask! I’m happy to help you make more quilts!

BTW – Did you join my mailing list yet? Do it here. I’m dreaming up groovy exclusive stuff for you!

 

 

Birch Bark at the “Speed of Sam”

If you follow a lot of the quilting industry people, you’ll see one of two things this week… either frantic posts about the last minute finishes we all seem to be pulling off for next week’s Spring Quilt Market in Pittsburgh – or utter silence, because of said frantic finishing! As the saying goes, if it wasn’t for the last minute, nothing would get done! And stitching binding on the plane to Market is almost a given.

I’ve sewn last minute stuff for three Markets now. I’m honored to be on call for Hoffman Fabrics… I design patterns that work well with their batiks, and so they often reach out for a booth quilt made of their newest lines. They got their new fabric in last week (no joke) and mine arrived Monday night.

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They asked for Birch Bark – one of my quick strip quilt patterns – so yesterday, I decided to photo and time myself through the top construction. I was posting on Instagram (@huntersds) and FB, but if you missed it, here are some of those shots and more, along with some of the thought process in my head. It has been a couple of years since I made one, so I estimated 5 hours for the top construction.

Hoffman sent me this new Bali Pop, which I believe will be called Sparrow. It’s all beautiful warm browns with some deep cranberry thrown in. They also sent me a couple of different ORANGE selections for the accent – they know me well! I chose the spotty one, and might use the solid for the binding (we’ll see when I get there).

Some of the new patterns in the batiks (known as “tjaps” and pronounced “chops”) are trending towards more modern and geometric patterning – and they are lovely! This group has those as well as the more organic, nature-driven patterns we’ve come to expect.

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The first step is always to take off the selvedges. Even though batiks are printed to the edge, that quarter inch of selvedge is made of thicker stuff (the warp threads are doubled at the edges). It can break your needles and distort your seams, so best be off with them!

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Next – chop up the strips and cut the accent pieces:

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To the machine! It needed a little TLC before I started. Out with the lint, in with a new needle. New needles can matter greatly with batiks as their weave is tighter. I use a Jeans/Denim 80/12 for all my piecing, and that sharp jeans tip is great for batiks.

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I chain-pieced the accents onto the strip sections…

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… and then chain-pieced those end to end to make a really, really long strip. Birch Bark is based on the Jelly Roll Race in terms of construction, so there are about 1600 inches of strip to wrangle.

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To the iron! I iron all the seams in the same direction for ease and speed.

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The strip gets turned into strata. I don’t press this until it’s all done.

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Now it can be pressed:

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The strata is cut into chunks, and the chunks go up on the design wall:

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There were a few areas where colors or accent bars came together in a way that I didn’t like.

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So I took out a seam in those blocks, and just moved one section to the other side of the piece I took it from. Even though the construction on this is partly about giving in to the randomness of how it comes together, you still get to manicure the parts that don’t make you happy!

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And seven seams later – top is DONE:

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It took 3 1/2 hours (4 from start to finish with a half hour break for lunch). Yes, I sew quite fast – my friend Melissa Z coined the phrase “Sewing at the Speed of Sam” after sitting next to me at a retreat! But I also have fast machines – both a Janome 6500 and 8900, which have delightfully fast top speeds. Still, you could still make this top in a day sewing sanely with plenty of breaks.

So today, I will be basting and quilting it. I will photograph/Instagram.FB my way through for that too, and will post it tomorrow. If you have any questions about why I do what I do the way I do it, ask on FB and I’ll try to answer those questions either as I work, or in tomorrow’s post.

BTW – Did you join my mailing list yet? Do it here. I’m dreaming up groovy exclusive stuff for you!

 

 

 

Stitch ‘n Swap – join the party!

The Generation Q Magazine team has done it again with their new book Stitch ‘n Swap! It’s a sweet collection of exchange-worthy projects, and psst… I contributed one too!

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I was hot off the design of the Chunky Wee Bag when Jake asked me for a project for the book. She mentioned some of her fave features in a bag and so I designed a new version that had those - she likes swivels on her straps and magnetic closures. It’s called the Out and About Bag and it’s on page 77:

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The book is full of fun projects – I’m itching to try the tea cozy by Karen Cunagin, and the eye pillow by Carrie Bloomston. In all, 19 designers contributed a total of 25 projects.

I’ve only recently started participating in swaps, and for me the best part about them is the challenge of trying to really understand your recipient so that you can make something that will thrill them. It usually means I stretch myself in using colors and prints I might not be drawn to, but I always learn so much from it. And then, of course, the excitement of opening the one that was made for ME! And if you get a chance to make something for me, you know that it should be ORANGE, right?!

I know you want me to tell you where to go for a chance to win one of the three books Gen Q is giving away, so here it is! Comment on the original Generation Q Stitch ‘N Swap post letting them know if you’ve ever participated in a swap and the coolest thing you’ve ever gotten in a swap. That’s it! All winners will be chosen from the Generation Q Magazine post Wednesday May 7th and posted Thursday May 8th.

Of course, you can buy the book too! Stitch ‘n Swap releases May 19, 2014. It has 112 pages filled with 25 projects from amazing designers and get this–it’s only $17.95. Pre-order now through C & T Publishing, or beginning May 1, from Gen Q’s website. Ask for it at your local quilt store too – maybe even ask them to host some classes using the book’s techniques. 

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If you want to follow the blog party, here’s the schedule – check out the contributor’s blogs so that they can tell you more about their projects:

Date:       Event                                    Who
4/24        Blog Party week 1                    Scott’s Placemat Pattern, Melissa T. Maher, Jeni Baker, Anne Deister, Emily Herrick, Sam Hunter, Lynn Kraus
4/29        Blog Party week 2                    Vicki Tymczyszyn (will blog for Generation Q), Carrie Bloomston, Victoria Findlay Wolfe, Rose Hughes, Heather Jones, Tracy Mooney, Elaine Wong Haselhuhn
5/6          Blog Party week 3                   Jake Finch, Scott Hansen (Blue Nickle Studio) , Karen Cunagin, Michelle Freedman, Linda Hansen, Kevin Kosbab, Melissa Peda

Remember! Comments here DON’T put you in the book drawing!