Final QUILT TALK Blog Hop Day 13 – ORANGE – with me!

You made it! Lucky 13 ends here with me, and of course, with the ORANGE bucket!

ORANGE Bucket

Here’s a link to the ORANGE pattern, and here’s a link to the instructions on how to construct all the color buckets (you only need to download this once).

It was pointed out to me that the ORANGE bucket seems to have a bit more work in the fabrics – to which I can only say “guilty as charged!” ORANGE is definitely my favorite color, and I had strips left over from making another project, so it was perfect.

Thank you for hopping along, and I hope you’re inspired to make a project talk with some words! If you didn’t yet purchase your copy of Quilt Talk, you can get a signed copy here. You can also hit up your local quilt shop or indie bookstore – remember, the price difference between the local store and Amazon is only about the cost of a frothy coffee or a half yard of fabric – so please give your local stores some love or they won’t be there when you need them!

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And finally – I have goodies for you! In addition to an autographed book, I have a package of my favorite newsprint paper-piecing paper, a hunk of Timtex and fusible fleece to get you started on a bucket, printouts of all the color words on the newsprint, and some Sassy Buttons. And if there’s room in the envelope, maybe other things!

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In your comments, please talk quilty to me! Tell me which words you’d use on your wordy quilt. Random.org will help me choose a winner on Monday Oct 27, after I get back from Houston Quilt Market (where I plan to take a lot of pix, so follow @huntersds on Instagram, or here on Facebook.

ALSO – when I get back from Quilt Market, look for a photo tutorial on how to make the buckets!

A LAST REMINDER: Hop back to these great people to grab any missing color patterns!

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QUILT TALK Blog Hop Day 2 – BROWN – with Carrie Bloomston

Day 2 is here and the color is BROWN!

BROWN Bucket

I was worried about handing BROWN to a friend as the color of their hop, but then I remembered that the fabulously talented Carrie Bloomston of SUCH Designs is helping out, and I knew all would be well.

In addition to designing patterns and fabrics, and authoring her new book, The Little Spark – 30 Ways to Ignite Your Creativity, Carrie is also an abstract painter – so who better than a painter to tell us how to appreciate BROWN? I remember the magic of combining all sorts of colors to make myriad brown tones in my first painting class – it really was a wonder. Learning how to manipulate color is one of the keys to the kingdom of art!

When I was working on the patterns for Quilt Talk, I began to play with some words for those of us who follow paths that are not always so popular. What emerged was “She just ignored the people who said it couldn’t be done.” As I’ve changed my life from full time IT management geek to full time creative geek, I’ve had a lot of encouragement, but a lot of pushback too. I had to ignore the people who said that I couldn’t or shouldn’t make a radical life change, realizing that often when people tell you that YOU can’t, what they are really saying is that THEY can’t.

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As the words crystallized, I knew I had to fnd some special fabrics for them. I reached out to Carrie to use her very first fabric line, Collage, and she and Windham Fabrics squeaked out the needed yardage from the precious pre-release stash. (And this quilt will work with other border prints, too.)

Why this fabric? Well, when I first met Carrie we started gabbing, and soon found out that we both had graduated from art programs that, while they taught us a lot about art, pickled our brains a bit. Carrie put it best when she said it took a while to get back to being the artist she was before school. I’ve felt the same way… after so much critique (helpful and otherwise) my head was in a swirl. Making this quilt for us both was a way to celebrate our return to what we know is right for our own artistic careers. And I know she would join me in telling you to follow your own path, and just ignore the people who would tell you it can’t be done!

Please head over to Carrie’s blog to comment for a chance to win a Quilt Talk book, and to download the BROWN bucket pattern.

Check out Carrie’s new book too – it releases this month! I can’t wait to play with it!

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Here’s a reminder of the tour and COLOR bucket schedule:

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Where to Find Sam – September 2014 Edition

I’m traveling tomorrow, and talking and teaching and signing for the next week or so – if you’re close by, come see me!

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Thursday Sept 25th, 7pm – Nite Owl Quilters Guild in Upland CA. I’m doing my “There’s Magic in the Lesson, OR Perfection is Overrated!” lecture. Lots of trunk show, including new things from the book that haven’t been shown yet. And of course, I’ll be signing books too.

Friday Sept 26th, 6-8pm – New Moon Textiles in Pasadena CA, my former quilt store home (I worked there for a couple of years – it will be so great to see my friends there!) I’m showing the book quilts in a trunk show, and signing books.

Satuday, Sept 27, 10am to 4pm – back to the Nite Owl Quilters Guild for a workshop. We’re making Dingbats! It’s one of my favorite quilts, and another “so much easier than it looks” pattern. I think they still have a couple of spaces if you’d like to come play. I even rip seams and iron for my students, while cracking lame jokes – really, you don’t want to miss this!

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Sunday Sept 28 – 2-4pm – out to Sew Modern in Los Angeles, CA, one of the best modern stores around, and home of the LAMQG. Lauren, the owner, will be breaking out the bubbly while I sign books. Oh, and in case you’ve never visited before, she carries every Kona solid. Yep, EVERY.

Monday, Sep 29 – 6 to 8pm – SLO Creative Studio, in San Luis Obispo, CA. SLO Creative is a new creative space developed by my friend, Janet Mease, and I’m there to help kick off her opening week events with some book signing, a wee bit of We Are $ew Worth It lecture, and a car full of quilts to trunk show. Please come support this new space!

Other adventures for the week include time with my creative mini group, these folks:photo-6

We’ve been meeting once a month for the last couple years, challenging ourselves with creative projects. I’ve been joining the meetings via FaceTime since I moved to PDX, but this time I get to sit at the table and share the chocolate! Our challenge this month is to make something in response to this artwork:

From http://www.design-is-fine.org/post/96889364749/rupprecht-geiger-n-d-via-galerie-walzinger

From http://www.design-is-fine.org/post/96889364749/rupprecht-geiger-n-d-via-galerie-walzinger

I’m not sure what I’m doing yet, buy I know it won’t include PINK ;-)

I’m also visiting my friends at Hoffman Fabrics! I get to touch the new pretties, and hopefully choose some to make a market sample or two for them. Psst…. we’re playing with solid batiks too, and they are so, so gorgeous. Watch this space.

Also, if the planets align, I’ll be heading to the Craft and Folk Art Museum in LA to see a new juried exhibition of contemporary textiles. Read about it here. When living and working a creative life, it’s important to put some inspiration back into the well, too. LACMA is across the street, so I might poke my head into a quilt exhibition that just opened there, Big Quilts in Small Sizes: Children’s Historical Bedcovers.

Lastly – we kick off the Quilt Talk blog tour on October 1 as I fly home. It’s going to be a fun hop that takes us as far away as Australia, and might even include a Skype interview if Victoria Findlay Wolfe and I can figure out the technology of it!

So I’ll leave you with these as a teaser… look for them on the tour!

All Buckets stacked

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Tablescapes

Tablescapes. This word has risen out of the noise at me a few times in the last couple of weeks… and, being a Word Girl, I pay attention when words poke at me.

The first mention of it was a call from one of my distributors for the loan of quilt samples in one of a few categories for the upcoming Quilt Market in Houston (the last weekend of October). The second mention was last weekend, when I demoed at a local distributor’s big new stuff shindig… “Do you have any patterns for tablescapes?” Ummm… no.

So off to the modern day oracle for an image search to go with the word, and yikes!

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(Yes, I picked an ORANGE image, because, well, ORANGE.)

Confession…. I missed this class in school, and I have avoided it like the plague on Pinterest. While I love to have friends over for food and board games, I put my energy into making things like pots de crème instead, and if we manage to eat off real plates with cloth napkins I feel like I’ve appeased Martha just a wee bit and call it a win. It’s not that I don’t appreciate the beauty of a table set like this (I love me some beauty), I just don’t care about creating it – I’d rather make more desserts. And if I had the space to keep all this extra kitchen/table stuff around (I don’t) I would have filled it with fabric long ago.

So back to the pattern requests for tablescapes. Another return to the oracle reveals that, yep, there are lots of quilted table runner and placemat patterns out there.

As it happens, I designed some cheeky placemats for Quilt Talk not knowing that they were part of the tablescape clan, but frankly, the idea that gravy could be spilled on something I bound by hand gives me the willies.

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I just can’t imagine putting a pretty table runner down the center of a big, noisy, family dinner and have it escape unscathed. And the last thing I want to think about during a big, noisy, family dinner is keeping the tablecloth clean… I’d rather eat and laugh.

And so… I have questions. Why are table runner patterns popular? Do the runners get used? Close to food, or only decoratively? Is it because, as a smaller project, they are easier to make? Easier to quilt/wrangle on a domestic machine? More affordable in terms of materials? Great/fast/small as gifts?

And if I did design one, what matters about the design? Size? Customizable size? Scrap or pre-cut? Or….?

And… should I be designing them? While I design mostly for what turns me on, I’m no fool. If my readers want something, I’m interested in seeing if I can point my design head towards it, with the understanding that it’s MY design head, which means if I’m not turned on by the idea I won’t put my energy there. Trust me, you don’t want things that are made by people who aren’t turned on by making them! Passion matters!

Let me know your thoughts!

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Quilt Talking the Details

It occurs to me that, because I’ve had my nose on the bark of this book for almost two years, I might not have explained the view from the edge of the trees very well! So here are a few points about the book that I’d like to share so that, if you decide to take the plunge and own one of these happy things, you’ll know what you’re getting yourself into!

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1. What it is!

  • The book is designed around a paper-pieced font.
  • There are upper and lower case letters, numerals, punctuation, and all the special characters above the numbers on your keyboard.
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  • There are also some accents that allow the letters to speak languages other than English: umlaut, tilda, cedilla, circumflex, accute, and grave. I’m quite proud of these!
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  • Why paper-pieced? Paper piecing is the easiest way to get pinpoint accuracy in odd shapes or angles.
  • Along with the characters, there’s a great chapter on how to set them into custom text, much like setting old-school typography.
  • There are easy instructions for resizing the characters to fit any words you can dream up.

2. Projects

  • I designed 12 projects for you, from small things like placemats and the scrap buckets on the cover, up to wall, snuggle, and bed-sized quilts.
  • Most of the phrases are sassy, encouraging, inspiring, or nerdy: both Star Wars and Star Trek are covered!
  • Each project has additional notes on how to fit your own ideas into the word spaces.
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  • All of the projects are designed for easy straight seam construction (no set in pieces, no curves, no y-seams). Once you make the letters, they are essentially blocks that then get set in rows. There is nothing in here that a confident beginner can’t manage!
  • For additional inspiration, there’s a gallery section of wordy projects made by some dear friends, including Megan Dougherty, The Bitchy Stitcher, and Maddie Kertay and Flaun Kline of the BadAss Quilter’s Society.

3. Things that matter about the book design

  • I skipped writing a basics chapter on how to use your rotary cutter, etc., as I thought you’d rather have more projects!
  • There’s a brief chapter on how I do paper piecing, and it’s illustrated with step-by-step photos. You can see a few pages of this in Amazon’s “Look Inside” preview.
  • I go over how I do pre-cutting for paper-piecing – it makes the paper-piecing easier to manage, and it saves on fabric.
  • I also added a chapter on how to choose fabrics for letters to make them shine.
  • The majority of the patterns are on a jumbo pull-out in the back of the book. You tear this out and cut it up, which makes for easier and flatter copying.
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  • I made sure the upper and lower case pattern of each letter are back to back – if you find the “A” in your pile of letters, turn it over to find the “a”.
  • The numbers are also paired back to back.
  • There were a few too many characters for the pull-out, so the extras (and the ones I thought might be the least used) are at the end of the book.

4. Things that matter about the Paper-Piecing design

  • The seam allowance isn’t drawn around the blocks because most of the time you’ll be scaling them, which would give you inaccurate cutting lines. However, because I’ve sliced the seam allowance off plenty of paper-pieced blocks, I put the words “add 1/4” seam allowance” around the edges of all the blocks so that you (and I) have a reminder.
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  • Some of the sewing lines on the characters start at odd angles, so I extended the lines into the seam allowance to lead you in to starting your seam at the right place.
  • Some of the blocks are constructed in multiple sections, so I added alignment lines so you can get them joined up without too many seam ripper moments.
  • In each block pattern the letter is shaded but the background isn’t, so it’s easy to see what you’re working on. And I shaded with a light dot pattern rather than a gray fill to save you some printer ink.

5. Blog Tour

  • The blog tour kicks off at the beginning of October and it will include some of my favorite people in the quilt world.
  • There will be a dozen stops, so a dozen chances to win a copy of the book.
  • There will also be a little something extra for you to download at each stop :-)
  • The final stop will be with me, and I’ll have some extra goodies for you to win.

And if you can’t wait until October, you can order Quilt Talk here. I have books on hand to ship!

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Batik winners!

From 68 entries (I had to delete a couple of duplicate writes for fairness), Random.Org chose 58 and 42

58: sewsurprising – First pack

42: Emily C – Scrap pack + ORANGE

Look for an email from me, requesting your address!

And watch this space… working on another modern batik pattern… more fabric to share!

Square Pegs for Hoffman – plus a fabric giveaway!

If you didn’t already know, I frequently sew for Hoffman Fabrics: they send me pix of their new stuff; I choose a couple of colorways and offer pattern choices; we shake hands on an idea; they send fabric; and I start sewing.*

New collections are ready to debut, so they reached out for a quilt. This time, we chose one of my newest patterns, Square Pegs:

SquarePegs - Cover -.72dpi

While the cover quilt leans more “modern” with its clean colors, I’ve been interested in seeing it rendered in batik. There’s been much discussion of late in as to whether batiks can play well in the modern quilt arena (I contributed to an article in the latest Gen Q mag about it). My answer to the question is YES, of course batiks can be “modern.” I think how you categorize a quilt is as just as much a function of the pattern design as it is the fabric choice, and as long as you play by good fabric choice rules (mind your values… watch out for too much medium tone mush), batiks are a fabulous choice.

Hoff + Mod

Batiks are also a fit for our current hand-made vibe – they are still hand printed, even at the volumes the quilt world consumes. And if you need more eco-assurance, Hoffman has some lovely environmentally careful practices around the water used to make their pretty fabrics.

Anyway, back to that quilt. Like last time, I posted Instagram pix (@huntersds) in real time, and shot them out to the HDS FB page (please go like it! thank you!), answering questions along the way. And feel free to ask more questions over there or in the comments below.

So – fabric choices! The pattern needs 12 quarters (fat or long, or a mixture) and a chunk of background. As you know, I usually lean ORANGE, but this time I was intrigued by the elegance of these cooler colors:

Hoffman for Sq Pegs

They are much prettier than they look in the long shots on Instagram! The background is not pure white, it’s a subtle, very light, mottled blue-gray – it’s part of the Watercolor series (Snow 1895-307) which are the solid-reading batiks. The light gray at top right became the binding. And look at the bold graphic designs in the prints!

For the curious, it took approximately 22 hours over the course of 3 days. Yes, I’m pretty speedy (#sewingatthespeedofsam was coined by my friend, Z-Girl) BUT – truly, this is a speedy quilt to make. It’s all straight seams and easy construction, with lots of negative space for you to quilt-doodle through. Yes, I sew fast, but the pattern choice didn’t hurt!

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For an even faster finish, you could skip the pieced border if you like, or sew these parts together as “leaders and enders” as suggested by one of my Stunt Peeps** if you sew that way. I also copied the quilting I had done on the earlier one, which meant I didn’t spend design time testing different quilting ideas. It’s easy straight lines following the lines of the blocks, and simple stippling in alternating spaces for extra texture.

On the first day I made the blocks and the border; on the second I set it into a quilt top, made the back (ran errands, had the car break down, got towed), and basted it; and on the third, I quilted and bound it (catching up on Mad Men) – and in a rare moment of having it all together, got the sleeve and label into the binding process rather than putting them on, cussing, as an afterthought! If making it for a client, I would bid 28 hours of time to allow for more unique designing if needed, and possibly surprise them with a discount if I beat my time.

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And so to giving away fabric! I have 2 bundles…

Bundle 1: A Square Pegs pattern plus 14 almost Fat Quarters – I cut a couple of the fabrics wrong, so they’re a tad short (wasn’t wearing my glasses… sigh) so you get the 12 you need for the pattern and a couple extra because I’m a goof (and the pattern doesn’t use the entire FQ so you’ll have plenty if you want to use them for this).

Bundle 1

Bundle 2: A Square Pegs pattern plus all my big scraps – most of which are 1/4 yard or more. You’ll have enough to do the non-background parts of the top, but might need to be creative with how you cut. And I might put in some ORANGE just because.

Bundle2

Comment below to win – and tell me what you think of batiks as potential modern fabrics. And yes, you’re welcome to disagree with me – I love the discussion! I’ll choose winners on Friday. And yes, this is open to international folks too.

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* I disclose my arrangement with Hoffman Fabrics out of a desire to be transparent in the name of my commitment to the We Are $ew Worth It movement. That said, I love working with Hoffman, and like and respect their people – and wouldn’t play with them if I didn’t! I only do what works for me with people I like :-)

**Square Pegs was test driven by Stunt Sewist Peeps Karyn, Jennifer, Karen and Julie!

My Top Ten Sewing Studio Hacks

Do you have tips, techniques, tools or hacks that make life in your sewing space easier or more efficient for you? Here are some of my favorites… please share yours in the comments!

1. Table Extensions

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Whether you sink your machine into some kind of sewing furniture (I use both the Janome Table and the Sew-Ezi table), or spring for the portable extension for your machine, having the bed of your machine extended across a table will allow you sew with more accuracy. The table gives you space to line up and straighten out your fabric before it reaches the needle.

2. Velcro on the Foot Pedal

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I sew on carpet, so my foot pedal is fond of going walkabout. A chunk of the hook side of sticky-back Velcro allows it to get a grip on the carpet. Your space isn’t carpeted? Try a decent sized square of the rubber mat sold for lining cupboards (I carry one in my portable kit so that if I sew somewhere else I’m ready for either).

3. Noodle on the Knee Lift

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The bigger machines of today all have knee lifts, and as the machine throats (or Harp Space, if we’re getting technical) get bigger, the knee lift gets further out to the right. Reaching it can be a bizarre form of inner thigh stretch. Buy a pool noodle that has a big hole through the middle, saw off a chunk (a bread knife is perfect for this) and slide/tug/push it on. It will bring the knee lift edge closer to you, and you won’t have mismatched thighs! Bonus: One pool noodle will get you three or four pieces so share with a friend!

4. Different Rotary Cutters for Different Uses

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I keep a selection of cutters around so that I can make it easily through different techniques. The 60mm one is for batting, fusible fleece, and when I’m cutting through more than 4 layers of fabric. I have an extra 45mm one specifically for cutting paper, or trimming paper pieced blocks (this gets my older blades). The 28mm is for smaller pieces and curved templates.

5. Cone Stand Hack

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Don’t have a cone stand? Do this instead… Grab a big coffee mug or a big canning jar. The base of the cup or jar needs to be bigger than the spool’s base or it will wedge. If using the jar, go wide-mouth so you can get your hand in if needed. Pop the thread into it and set it up next to your machine. Tape a safety pin (closed, sharp point down) to the edge of your machine such that you can go from the jar into your thread path in as straight a line as possible. Thread through the end hole in the safety pin and into the thread path.

6. Slider on the Machine

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Cover the path to the needle of your machine with a chunk of Supreme Slider (I had a damaged one that I cut in half for this). It will help stop seams from flipping the wrong way underneath as you come into the needle. For paper-piecing, it helps the paper slide across the machine bed, and stops the dreaded flip of the underneath piece. Tip: rinse the slider off at the beginning of every sewing session to keep it sticking on the bed.

7. Needle Threader

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If you can see to thread a needle easily, huzzah! File this away for the day after your 40th birthday for when, suddenly, your arms need to be longer to read anything. This little goody is the Desk Needle Threader made by Clover. Put the needle in eye down, lay thread across the path, push the lever, pull out the threaded needle. It also has a cutter across the top so you don’t have to risk your scissors to the capriciously enforced rules of the TSA.

8. Sticky Notes

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Do you go back to same machine settings over and over? Keep them close by on sticky-notes. I also use them to mark cuts of fabric when I need to keep it all straight.

9. Zippy Bags

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I use these relentlessly to corral projects and their parts. Being as I paper-piece a lot of words (and always precut for them), I bag the parts for each word as I’m cutting. I play a lot less 52-pick-up when I move things around in bags.

10. Tweezers

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I keep two sets on hand – one has teeth in the tip, the other has flat ends. I use the first mostly for pulling paper out of paper-pieced seams, and the flat ones for pulling up threads at the machine.

11. Non-sticky Hand Lotion

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Fabric will steal the moisture from your hands, so I use these little tins of hand lotion bars. Lavishea and LoLo Bar make my two faves, and I like the citrusy smells. Dump the bar into your hands, give it a quick rub, pop it back into the tin, and massage the lotion into your hands. Neither of these products leave a sticky residue! Bonus: when your hands have some moisture, you’ll be able to grip the fabric better, and pick up single pieces from stacks.

12. Scrap Pillow Case

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No matter how many scraps you keep, there’s still a point at which you’ll toss out the smallest bits of fabric. Put together a simple pillow case from that “what was I thinking?” fabric you bought a while back, and throw your scraps into it. When it’s full, run a sturdy seam down the edge, and drop it by your local animal shelter next time you’re out running errands.

Ooops – that was twelve! No matter!

Please share your fave tips in the comments.

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Free Pattern – Paper Pieced Patriotic Heart

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I have another free pattern and project up on Janome’s site! Find it here.

Years ago, one of the positions I held on the Simi Valley Quilt Guild’s board was that of the Block of the Month coordinator. If you’ve never done one of these, it’s where the pattern for the month is published, and members who are interested each make one. Each block entered becomes a chance to win them all.

Anyway, I challenged myself that year to design paper-pieced blocks, and this was one of them. I recently unearthed it when my friend Annie asked if I still had it. Yep, I did. I’m really not much of a pack rat, but I do keep most of my art and drawings, and in a relatively (!) organized manner, so out it popped from the archives.

Original pp heart

1995! Almost 20 years ago! And when I was married to someone whose name isn’t Hunter! How time flies! And speaking of time… it’s my son’s 30th birthday today – how the heck did that happen?!?! Well, I know technically how that works, but… THIRTY! EGAD! (and I think I’ve used up my allotment of !! for today so I’ll calm down now)

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The new version finishes at 7 1/2”, and is drawn tidily with Adobe Illustrator. I’ve also added a few things that I’ve developed over the years (and for my upcoming book, Quilt Talk) like the “lead lines” for starting oddly angled seams. I also don’t draw the seam allowance around the blocks so that you can size them any way you like – but I do write “add 1/4” seam allowance” on every edge so that you don’t cut the edges off. I’ll leave you to guess how many blocks I’ve ruined doing that.

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The Janome project gives you the instructions to make a pillow, but you can also just take the block and run with it. If you do, shoot me some pix – I’d love to see what you’re up to!

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New Pattern – Star Stuff!

Another new pattern!

StarStuff - Cover 300dpiAnd so named for Carl Sagan’s statement that “we are star stuff,” made of the hydrogen atoms that are the stuff of life. I like the idea that we all have a bit of sparkle within us.

It’s a paper-piecing pattern – four identical quadrants make up one 15” finished star. I give pre-cutting instructions for paper-piecing, which minimizes fabric waste, and makes construction a little more efficient. If you can paper-piece and sew a decent 1/4” seam, you got this!

The pattern includes instructions for 6 quilt sizes from crib to king. You could bust some stash with it, or play with radiant colors like I did on the cover quilt.* I used leftovers to make the scrappy binding. The pattern also includes a  copy-able sketch sheet that you can fill with color for design purposes.

Color in Star pattern

It’s available in the shop here (will ship by the end of the week) or as PDF here immediately. It’s also carried by major distributors, so ask for it at your local quilt store.

Enjoy!

* Disclosure: this quilt is made with Kaufman Kona Solids, mostly purchased by me, and the rest generously supplied by Robert Kaufman Fabrics. The blocks were constructed by my lovely stunt sewists Abby, Jennifer, Julia, Julie and Julie!

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