Batik winners!

From 68 entries (I had to delete a couple of duplicate writes for fairness), Random.Org chose 58 and 42

58: sewsurprising – First pack

42: Emily C – Scrap pack + ORANGE

Look for an email from me, requesting your address!

And watch this space… working on another modern batik pattern… more fabric to share!

Square Pegs for Hoffman – plus a fabric giveaway!

If you didn’t already know, I frequently sew for Hoffman Fabrics: they send me pix of their new stuff; I choose a couple of colorways and offer pattern choices; we shake hands on an idea; they send fabric; and I start sewing.*

New collections are ready to debut, so they reached out for a quilt. This time, we chose one of my newest patterns, Square Pegs:

SquarePegs - Cover -.72dpi

While the cover quilt leans more “modern” with its clean colors, I’ve been interested in seeing it rendered in batik. There’s been much discussion of late in as to whether batiks can play well in the modern quilt arena (I contributed to an article in the latest Gen Q mag about it). My answer to the question is YES, of course batiks can be “modern.” I think how you categorize a quilt is as just as much a function of the pattern design as it is the fabric choice, and as long as you play by good fabric choice rules (mind your values… watch out for too much medium tone mush), batiks are a fabulous choice.

Hoff + Mod

Batiks are also a fit for our current hand-made vibe – they are still hand printed, even at the volumes the quilt world consumes. And if you need more eco-assurance, Hoffman has some lovely environmentally careful practices around the water used to make their pretty fabrics.

Anyway, back to that quilt. Like last time, I posted Instagram pix (@huntersds) in real time, and shot them out to the HDS FB page (please go like it! thank you!), answering questions along the way. And feel free to ask more questions over there or in the comments below.

So – fabric choices! The pattern needs 12 quarters (fat or long, or a mixture) and a chunk of background. As you know, I usually lean ORANGE, but this time I was intrigued by the elegance of these cooler colors:

Hoffman for Sq Pegs

They are much prettier than they look in the long shots on Instagram! The background is not pure white, it’s a subtle, very light, mottled blue-gray – it’s part of the Watercolor series (Snow 1895-307) which are the solid-reading batiks. The light gray at top right became the binding. And look at the bold graphic designs in the prints!

For the curious, it took approximately 22 hours over the course of 3 days. Yes, I’m pretty speedy (#sewingatthespeedofsam was coined by my friend, Z-Girl) BUT – truly, this is a speedy quilt to make. It’s all straight seams and easy construction, with lots of negative space for you to quilt-doodle through. Yes, I sew fast, but the pattern choice didn’t hurt!

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For an even faster finish, you could skip the pieced border if you like, or sew these parts together as “leaders and enders” as suggested by one of my Stunt Peeps** if you sew that way. I also copied the quilting I had done on the earlier one, which meant I didn’t spend design time testing different quilting ideas. It’s easy straight lines following the lines of the blocks, and simple stippling in alternating spaces for extra texture.

On the first day I made the blocks and the border; on the second I set it into a quilt top, made the back (ran errands, had the car break down, got towed), and basted it; and on the third, I quilted and bound it (catching up on Mad Men) – and in a rare moment of having it all together, got the sleeve and label into the binding process rather than putting them on, cussing, as an afterthought! If making it for a client, I would bid 28 hours of time to allow for more unique designing if needed, and possibly surprise them with a discount if I beat my time.

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And so to giving away fabric! I have 2 bundles…

Bundle 1: A Square Pegs pattern plus 14 almost Fat Quarters – I cut a couple of the fabrics wrong, so they’re a tad short (wasn’t wearing my glasses… sigh) so you get the 12 you need for the pattern and a couple extra because I’m a goof (and the pattern doesn’t use the entire FQ so you’ll have plenty if you want to use them for this).

Bundle 1

Bundle 2: A Square Pegs pattern plus all my big scraps – most of which are 1/4 yard or more. You’ll have enough to do the non-background parts of the top, but might need to be creative with how you cut. And I might put in some ORANGE just because.

Bundle2

Comment below to win – and tell me what you think of batiks as potential modern fabrics. And yes, you’re welcome to disagree with me – I love the discussion! I’ll choose winners on Friday. And yes, this is open to international folks too.

BTW – Did you join my mailing list yet? Do it here. I’m dreaming up groovy exclusive stuff for you!

* I disclose my arrangement with Hoffman Fabrics out of a desire to be transparent in the name of my commitment to the We Are $ew Worth It movement. That said, I love working with Hoffman, and like and respect their people – and wouldn’t play with them if I didn’t! I only do what works for me with people I like :-)

**Square Pegs was test driven by Stunt Sewist Peeps Karyn, Jennifer, Karen and Julie!

Birch Bark at the “Speed of Sam”

If you follow a lot of the quilting industry people, you’ll see one of two things this week… either frantic posts about the last minute finishes we all seem to be pulling off for next week’s Spring Quilt Market in Pittsburgh – or utter silence, because of said frantic finishing! As the saying goes, if it wasn’t for the last minute, nothing would get done! And stitching binding on the plane to Market is almost a given.

I’ve sewn last minute stuff for three Markets now. I’m honored to be on call for Hoffman Fabrics… I design patterns that work well with their batiks, and so they often reach out for a booth quilt made of their newest lines. They got their new fabric in last week (no joke) and mine arrived Monday night.

Birch Bark - COVER

They asked for Birch Bark – one of my quick strip quilt patterns – so yesterday, I decided to photo and time myself through the top construction. I was posting on Instagram (@huntersds) and FB, but if you missed it, here are some of those shots and more, along with some of the thought process in my head. It has been a couple of years since I made one, so I estimated 5 hours for the top construction.

Hoffman sent me this new Bali Pop, which I believe will be called Sparrow. It’s all beautiful warm browns with some deep cranberry thrown in. They also sent me a couple of different ORANGE selections for the accent – they know me well! I chose the spotty one, and might use the solid for the binding (we’ll see when I get there).

Some of the new patterns in the batiks (known as “tjaps” and pronounced “chops”) are trending towards more modern and geometric patterning – and they are lovely! This group has those as well as the more organic, nature-driven patterns we’ve come to expect.

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The first step is always to take off the selvedges. Even though batiks are printed to the edge, that quarter inch of selvedge is made of thicker stuff (the warp threads are doubled at the edges). It can break your needles and distort your seams, so best be off with them!

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Next – chop up the strips and cut the accent pieces:

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To the machine! It needed a little TLC before I started. Out with the lint, in with a new needle. New needles can matter greatly with batiks as their weave is tighter. I use a Jeans/Denim 80/12 for all my piecing, and that sharp jeans tip is great for batiks.

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I chain-pieced the accents onto the strip sections…

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… and then chain-pieced those end to end to make a really, really long strip. Birch Bark is based on the Jelly Roll Race in terms of construction, so there are about 1600 inches of strip to wrangle.

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To the iron! I iron all the seams in the same direction for ease and speed.

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The strip gets turned into strata. I don’t press this until it’s all done.

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Now it can be pressed:

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The strata is cut into chunks, and the chunks go up on the design wall:

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There were a few areas where colors or accent bars came together in a way that I didn’t like.

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So I took out a seam in those blocks, and just moved one section to the other side of the piece I took it from. Even though the construction on this is partly about giving in to the randomness of how it comes together, you still get to manicure the parts that don’t make you happy!

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And seven seams later – top is DONE:

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It took 3 1/2 hours (4 from start to finish with a half hour break for lunch). Yes, I sew quite fast – my friend Melissa Z coined the phrase “Sewing at the Speed of Sam” after sitting next to me at a retreat! But I also have fast machines – both a Janome 6500 and 8900, which have delightfully fast top speeds. Still, you could still make this top in a day sewing sanely with plenty of breaks.

So today, I will be basting and quilting it. I will photograph/Instagram.FB my way through for that too, and will post it tomorrow. If you have any questions about why I do what I do the way I do it, ask on FB and I’ll try to answer those questions either as I work, or in tomorrow’s post.

BTW – Did you join my mailing list yet? Do it here. I’m dreaming up groovy exclusive stuff for you!

 

 

 

Fabric Crush: Introducing PAINT!

Welcome to my hop on the blog tour for PAINT, the latest fabric line from Carrie Bloomston of SUCH Designs!

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To read more about my friendship with Carrie (and one her beautiful “wise-woman” stories) go here.

PAINT continues the conversation begun in Carrie’s first line, Collage. The elements we know and love are there in new shades – the “torn” stripes, and the text prints (psst… Carrie handcrafts the text to be full of positive and inspiring words).

I’m thrilled to see all the solid-reading blenders in this line – they are so needed to bring together a pretty composition – but I’m utterly wowed by the border print! Carrie sent me some to play with, and so I featured it in the flap of a couple Chunky Wee Bags:

PAINT CWBags

 

I made the littlest bag especially for Carrie’s daughter, who is featured in the Lookbook that Windham Fabrics created for the fabric. It’s worth a peruse – it has a bunch of sweet projects in it, showing the versatility of the fabric. And don’t miss the inspiring prayer flags created by a community of Carrie’s readers on the last page!

Carrie and Windham have a charm pack of the fabric for you to win – just leave a comment below, and I’ll choose a winner on Tuesday morning. And look for the fabric at your LQS in July/August (tell them to order it at Spring Quilt Market!)

Don’t miss the rest of the blog tour!

April 9 April Rhodes
April 10 Sally Keller + Julie Goldin
April 11 Shea Henderson
April 12 Ramona Burke + Jenny Kelly
April 13 Sam Hunter A Vintage Fairytale (Staci Barrett)
April 14 Rachael Gander + Erica Sage
April 15 Karen LePage + Tia Curtis
April 16 Shelly Figueroa + Fabrications2b (Bonnie Bobman)

 

Fabric Crush – new Kona solid colors!

While I was at Spring Quilt Market, I did some more scouting of fabric for Kim Kight of the TrueUp blog. One of my assignments was the Robert Kaufman booth, and the fun folks there (hi Kyle!) showed me a card of new solids that are on their way to us:

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I was thrilled to see a couple more ORANGE selections, and I know that that whole row of grays is going to thrill a bunch of people. I think these colors do a nice job of filling in a hole or two.

Anyhow, in the Post-Market-Clean-My-Studio-And-Put-All-The-New-Stuff-Away-Frenzy of yesterday, I discovered I have two Kona color cards. They are the April 2012 version, so they have last year’s additions, but not the ones above.

Kona Card

I only need one of them, so who wants the other? Leave me a comment… I’ll pick a random winner sometime Sunday night!

And keep your eye on TrueUp for a peek at a bunch of new fabrics!

Aloha Tropicals!

tropicals quilt

I had a sweet surprise in the virtual mailbox this week: the lovely people at Hoffman Fabrics choose my Mousetrap pattern to show off their latest Tropicals and Conversationals prints, and sent me this image of their quilt. Love the aloha spirit! And check out the surfboard print!

And here’s a tidbit of trivia for you… did you know that Hoffman designed fabric for Tom Selleck’s shirts in Magnum PI?

aloha shirt

Alooooooha Tom!

Whew! Now that your 80’s flashback is over (or is it an 80’s hot flash?!)…

The quilt is heading to AQS in Paducah at the end of April to hang at the Hancocks of Paducah fabric store (if you’ve never been in there its well worth a visit). It might also make an appearance at Spring Quilt Market in Portland in May.

If you happen to see the quilt, get someone to snap a shot of you with it and send it to me, OK? Mahalo!

Tom Selleck Image courtesy the Aloha Shirt Museum

Fabric Crush – Sam I Am!

FINALLY!!!!

I plan to buy yards of that ORANGE-on-ORANGE “I am Sam I am” print. And I must have pajamas out of something with the eggs motif. Oh, how I like these, Sam I am!

Kim at TrueUp spotted this at Houston Market (how on earth did I miss it???). Because her pix are prints and not headers, my guess is that we’ll see it sometime next year. I’ll be waiting!

Process – tools!

If you recall, one of the things I pointed out in my original post about process was my desire for efficiency. I like to feel that I waste as little time/fabric/money/regret as possible so as to allow room for more. “More what?” you may ask. More of everything… more time, more groovy things made or designed, more play, more freedom, more future… a little existentialist perhaps, but there you have it! MORE.

In concrete terms, efficiency becomes a big deal in how I choose my tools. So here’s what I use, and why I chose them (and I have no affiliations so this is not an infomercial!). And I would love to hear about your faves in the comments – you might be turning me onto my next big tool crush!

Before I get going – a quick word about labels… if you ever take your sewing kit on the road, be sure to mark your name on EVERYTHING. It makes for saner retreats and workshops, and less misunderstandings about whose ruler is getting passed around. I use Sharpie pens on most things (especially the rulers so that there is no label obscuring the one section of the ruler I’m bound to be looking at). And when I’m not using Sharpie I use ribbons (which will make sense once you see the pix). Mostly ORANGE ribbons. Like you needed to be told that!

So let’s start at the cutting table..

Like many quilters, I grew up with the dark green Olfa mat, but a couple of years ago I was introduced to a mat made by Fiskars that is pale green on one side and pale yellow on the other – easy to reverse depending on the color of fabric you are working with! A bonus with this mat is it lasts twice as long because once you’ve grooved the heck out of one side you just flip it over.

Also – note the dots in the squares on the yellow surface above. This is some additional alignment help that I’ve come to appreciate.

For rulers, I use Omnigrid and its newer sister Omnigrip, which has scrubby/grippy bits on the underside to help mitigate the slipperies. I prefer the grippy texture and green color of the Omingrip (I seldom use that color of green fabric so it shows up well) but I’ve had my Omingrids a long time with few issues (and I’m too frugal to replace them without good cause). And if you take a look, you’ll see that the Omnigrips also have those extra alignment dots I like. The sizes I use most are 6″ x 24″, 6″ x 12″, 3″ x 18″ and 4″ x 14″. Yes, I know that Creative Grids have the same grippy texture on the back, but most of their rulers are something-and-a-half inches, and I’m not used to that dang HALF (having used whole number sized rulers for twenty odd years). I invariably cut wrong with them because I’m not catching that I aligned the wrong side – which makes for a reduction of efficiency and increase in waste, not to mention a rather grumpy Sam.

However – there is a caveat to just about everything. Behold, above, the Creative Grids yardstick. It’s 2.5″ x 36.5″ and I’m utterly in love with it. Definitely a tool crush. I cut mostly 2.5″ bias binding and this is my go-to ruler for that and any fabric that is 60″ wide. Get one. You can thank me later.

And onto the rotary cutters. Again, I grew up with the original Olfa 45mm cutter and haven’t found a reason to abandon it (and I got to test a bunch of them for the team that is now GenQ Mag so I’m not just being an old-school luddite). I do keep a 60mm version too, and use it for cutting batting, fusible fleece, canvas, and any other thick or weird stuff. I also keep a spare cutter designated for paper. Note that it has different identifying ribbons so that when I grab the handle out of the pot I know which 45mm I’m getting.

One thing I will say, nay SHOUT, about rotary cutters is this: if you are not willing to close the blade yourself when you put it down (or you have hand issues that make it difficult to slide the guard closed), you MUST buy one that will close for you. YOU MUST. You may NOT have blades out in the open. Because getting a bad cut is REALLY inefficient. Not to mention terribly inconvenient. And somewhat embarrassing.

This lovely little goody is another tool crush – a magnetic pincushion by Clover that has a lid. No more putting the pincushion into a Tupperware to take it out of the house. And the lid clips to the bottom when you need it open. Swoon! My only complaint is that it doesn’t come in ORANGE. What were they thinking?

Clover also makes the best seam ripper in town – this one consistently wins magazine test drives for its nice fine point and a good sharp blade. I keep a spare new one on hand at all times and toss the one next to the machine as soon as it starts snagging (and then buy another new one to keep spare). I think I had my first seam ripper for a decade, never realizing that they need to be replaced periodically!

Last tool for this post – a small pair of scissors. These are by Fiskars, but I know that they are being made by several companies now. I use them at the machine to trim threads from the surface of a quilt when I am quilting. That little bend keeps me from snicking a cut into the fabric.

Hmmm…. I spy a purple ribbon. Heresy! Must change that!

Not a Fabric Crush, but a crush nonetheless!

My friend Carrie over at SUCH Designs created this little gem of a sewing machine from the family Lego pile, and generously shared a tutorial on how to make it here.

Now there’s a way to ask Lego to make it for real – check it out.

I so want one of these. Alas… The Boy (my son) is grown and gone and there is no Lego left in my house. Which is maybe a good thing considering how much of it I had to pick from between my toes back then. And I know all you parents have had the same “conversation” about keeping the bedroom floor free of the Lego minefield!

And so now I plot and scheme… who still had Lego-loving kids at home, and how much can I bribe them? Hmmmm….